Serving as a panellist for the first time at the 45th Association of Nigerian Authors (ANA) Conference and Convention proved to be a remarkable journey. The opportunity arose unexpectedly following an invitation from the President of the literary association, Associate Professor Usman Oladipo Akanbi. My initial connection with Dr Akanbi dates back to my days in Kwara State, facilitated by a mutual acquaintance, Adamu Danjuma, during preparations to launch my debut book, 'We Are All Guilty', written in 2016 as an undergraduate.
What are the central themes of the recent convention?
The convention focused on a critical discourse themed 'Literature, National Security and the Place of Nigeria in the World'. The session featured notable figures, including keynote speaker Professor Mahfouz Adedimeji, whose address deeply resonated with attendees, particularly regarding the dangers of a single-story narrative. The discussions brought together seasoned literary minds to examine how creative writing intersects with socio-political realities.
As legendary author Chinua Achebe famously observed in 'Morning Yet on Creation Day', African writers who attempt to bypass pressing societal and political challenges risk irrelevance. Echoing this sentiment, writers serve as societal watchdogs who must not remain indifferent during periods of national turbulence. Historically, literary icons like Achebe and Wole Soyinka confronted power directly, whereas modern writers face criticism for not matching that level of active engagement.
Why is the reading culture declining in Nigeria?
Addressing the accessibility of literature, the dialogue shifted toward digital-age realities and changing public interests. Rather than attributing the decline entirely to government inaction, attention was drawn to shifting societal values—such as the massive public engagement with reality television shows compared to literary accolades like the Nigerian Prize for Literature, sponsored by Nigeria LNG Limited (NLNG). While the government holds a responsibility to prioritize creative institutions, literary bodies must also safeguard their independence.
How can Nigeria reframe its global image through literature?
Discussions surrounding Nigeria's global standing highlighted the necessity for authors to present a balanced perspective. While acknowledging prevalent domestic challenges such as insecurity and corruption, writers bear the responsibility of projecting the nation's positive attributes rather than letting isolated vices overshadow its collective identity. A genuine national renaissance requires a thriving literary foundation to question injustice, preserve history, and inspire future generations.