The Federal Government has announced the completion of rehabilitation work at the National Museum Lagos, signalling a major refurbishment of the facility after more than two decades of neglect. This initiative, undertaken in partnership with IHS Towers, is intended to set a precedent for the restoration of museums across the country.
The revitalised museum now boasts enhanced exhibition areas, including the "Echoes of the Past" gallery, with further development planned for expansion, preservation efforts, and improved visitor amenities.
Hannatu Musawa, the Minister of Arts, Culture, and the Creative Economy, stated that the renovation underscores a renewed dedication to preserving Nigeria's cultural legacy. She expressed great enthusiasm about the completed work, noting the disconnect between Nigeria's rich cultural content and its past inability to adequately maintain and showcase it.
Musawa highlighted that the refurbished facility provides a scalable model for similar projects throughout Nigeria. She added that the improvements ensure the museum not only preserves historical echoes but also reflects the present and benefits future generations.
The minister stressed the critical role of public-private collaborations in maintaining cultural infrastructure, acknowledging IHS Towers as a key partner in both the digital preservation of artefacts and the physical upgrade of the museum.
Olugbile Holloway, the Director-General of the National Commission for Museums and Monuments (NCMM), stated that the renovation addresses years of deterioration, repositioning the museum as a functional centre for learning and cultural engagement. He noted that the museum had not seen significant renovation for the past twenty years, impacting its appeal as an educational resource.
Dapo Otunla, Senior Vice President and Chief Corporate Services Officer at IHS Nigeria, remarked that the project aligns with the company's commitment to sustainability. He described it as one of many sustainability initiatives undertaken by the company, where sustainability is a core principle.
Otunla detailed that the renovation encompassed structural improvements, enhanced power systems, and the digitisation of museum collections. He mentioned that the digitisation process began with approximately 200 artefacts, with plans to expand this effort, enabling virtual engagement with the collections through technology.
He further commented that the project's significance transcends financial considerations, stating that its value is immeasurable.
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